Clearly, he’s techno-friendly. Robert Zemeckis, the director of the Oscar-grabbing Forrest Gump, has obviously not rested on his laurels. On the heels of what has been termed the ‘performance-capture’ technique evidenced in The Polar Express and Beowulf, he returns with A Christmas Carol.
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Director Hardwicke succeeds in giving the familiar story a fresh twist. Kristen Stewart is passable. Pattinson has the kind of uber-cool screen presence that is favoured by the tweens. Read on for full review by Rashid Irani.
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Kurbaan's script seems what they call man ghadant. The speeches are merely political, their pains are personal, not a work of indoctrination. They appear at best a rag-tag cottage firm out to bomb and bleed America to death. Here's Mayank Shekhar's full review.
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Like many others, this movie will be forgotten. The song, I suspect, will circulate. So should Big, if you’re 9 years old, and haven’t seen it yet, writes Mayank Shekhar.
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You realise, while the romance and its conflicts are short-lived, this is not a disaster film at all. I mean this as much for its genre as hopefully its fate among the public, writes Mayank Shekhar.
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